My roots are
embedded deeply in the Methodist Church.
My family
and I attended what by now is a well over hundred year old church in the county
seat of Bartow. The original building still stands and faces (where else but) Broadway.
The architecture is rather non-descript, and not so very different from other
churches of that era on the outside, except for a large, stained glass window
in the second story which faces the afore mentioned street. Even as a teenager,
that multi-colored window, based on Ralph Stuckney’s painting, just drew me in.
Christ in the Garden of Gethsemane supplicating before the invisible throne of
His Father. (The latter of the two variables, as I have implied, remains
invisible, but seems almost as tangible as the first). When I attended First
Methodist Church, the city boasted 32 other churches, but from my way of
thinking, not one of them offered a more compelling, almost alluring
architectural feature than this one. I think I must have almost studied it as I
prepared to walk into the vestibule of the sanctuary each Sunday, and no doubt
I may have cast a glance over my shoulder on the way out. I just plain loved
that picture which this colorful window portrayed.
And I will
always remember the heavy wood tones of the sanctuary, and the heavy oaken
pews. Like many churches as ancient as this one, two massive chairs sat on the
stage, one on the left and one on the right. Though the pastor “owned” the one
to my left, and the music director often filled the one on the right, I think
it was easy to believe it belonged to Jesus, and ought to have been left
vacant. (Perhaps this childhood fascination with those ornate old wooden chairs
contributed to my having purchased a somewhat similar one at a second hand
store; something from the 19th Century, arms and back and seat
clothed in red velvet, and ornate flowered inlays copiously set into its
massive wooden structure).
And the
windows, those tall, but not so wide stained glass windows which “ran” both the
left and right sides of the sanctuary. While these stationary, and “not
designed to be opened” curiosities seemed as non-descript as the building on
the outside, they were nothing short of glorious on the inside. Harps and
angels and flowers and such things, with red and gold and green accents, whose
light seemed almost luminescent and self-contained, and inspired nothing less
than abject wonder in me.
And the
music. That almost unearthly music. That which I refer to today as, “the High
and Mighty Music of the Church.” The hymns of Charles Wesley and Martin Luther, and John Newton, and other such 17th and 18th Century
poets, (and those who came after them who emulated their style).
“Crown Him With Many Crowns”
“And Can It Be?”
“Amazing Grace”
“Great Is Thy Faithfulness”
Though I
cannot recall ever having heard the Gospel message preached here, (but rather a
social gospel which admonished us to be kind to our neighbors, give to the
poor, forgive those who have wronged us, etc.), and though I don’t believe I
ever heard a “call to faith” or invitation to “come down to the altar,” I think
I was developing an immature, though progressive attachment to the things of
God, and which would discover fruition at some future date uncertain.
I attended
Methodist Youth Group in the church annex; which was attached to the sanctuary
on one side of a breezeway. A side door
led down two flights of steps and into a basement; something fairly rare for
Florida. (Sadly, the annex is in bad disrepair now, and might cost an estimated
$1,000,000 to restore. “The jury is still out” in this regard, and to my
knowledge, a decision hasn’t been made whether to salvage that old building, or
tear it down.) But like my experiences in the sanctuary, I recall youth
ministry as more of an opportunity to socialize, than anything more
substantial. To be fair, there may have been a spiritual emphasis, perhaps a
short devotion, but if so, I have long since forgotten. M.Y.F. began each week
with a buffet dinner, and I for one thought it was, (in the language of the
astronauts) “A-Okay.” Afterwards we played board and box games.
One year, it
may have been ’65 or ’66, our church hired a Scottish couple to be our youth
ministers, as the result of an exchange program with the Presbyterian Church in
Edinburgh. Along with their luggage, Alex and Marjorie Cairns brought their
brogue accent with them, and it was, as they say, charming. (Both of my
father’s parents, the McDonald’s and Cone’s, were of Scottish descent, and I
have always LOVED that accent, above all others. I was especially fascinated to
discover my great great great Grandmother, Mary Stewart Cone, lived on the Isle
of Skye, Scotland).
I think the
first time I met the Cairns was at a church picnic. The pastor was busy
introducing them to several couples, the Flanagan’s, and McConnell’s, and of
course, the McDonald’s. Marjorie quipped, “With names like that, it sounds like
we’re back in Scotland.”
The youth of
our church grew attached to this precious couple, and I especially recall one
particular outing in which Marjorie served scones. Now that was novel. What I
saw that day was a sort of foreshadowing, for me at least, since for whatever
reason I happened to see Alex without a shirt, and there was a significant scar
on his chest, as if he’d undergone heart surgery.
In recent
years I learned that Alex and Marjorie had divorced, and that Alex subsequently
passed away. Very sad, indeed. I had learned to love them.
During the
course of three successive years I attended Methodist Youth Camp in Leesburg.
As our bus approached the camp entrance, the first thing I noticed was a banner
hung above the road with the motto of that year’s camp.
They were
terrific slogans:
“Christ Life. Our Code”
“Christ Above All”
“Speak Up For Your
Faith”
Unfortunately,
I was altogether unaware of Christ’ life, I was untrained in the doctrine
surrounding His Lordship, and I possessed no faith to speak up for.
Again, I
cannot guarantee that there was not a more overt exposure to the Gospel at my
local church, but the foregoing memoir is my own personal recollection. But in
spite of anything I have written which could, in some ways, leave a negative connotation of my early church, I am
grateful for my spiritual preparation, and my mother’s determination and
faithfulness to expose us to the things of God. I think, more so than anything
else, the awe-inspiring music drew me in, “would not let me go,” and prepared
me for God’s next step on His providential agenda.
By William McDonald, PhD. Excerpt from "Snapshots From A Life (Not Always So) Well-lived." Vol. 2
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