I suppose Charmian and her other
cinematic brothers and sisters were a bit like the character in that little
volume by the same title. They had been the objects of fame, fortune and
notoriety for decades, and had learned to identify at some level with the
‘real’ children of the von Trapp family.
“Now that the moment had finally
arrived that I would meet the ‘children’ we’d portrayed, it was daunting. I
felt as if we were imposters. For more than three decades, the seven of us had
been applauded for being von Trapps, and suddenly, we were face to face with
…the real ones.”
As much as Charmian had embraced the
part and assumed the role and took the bows and enjoyed the acclaim, she simply
had not endured the circumstances, nor paid the price to be someone she was
not. There was only one Liesl.
“Suddenly her arms were encircling me,
and my arms instantly went around her. The embrace overwhelmed me.”
I think much like Maria modeled ‘real’
for Charmian, and much like the Skin Horse modeled ‘real’ for the Rabbit, we
must embrace the joy and sorrow, good and bad, light and darkness, balm and
suffering of what it means to be ‘real,’ if we are to have any hope of
achieving that lofty status.
“‘Does it hurt?’ asked the Rabbit.
‘Sometimes,’ said the Skin Horse, for
he was always truthful. ‘But when you are REAL you don’t mind being hurt.’
‘Does it happen all at once, like
being wound up.’ He asked. ‘or bit by bit?’
‘It doesn’t happen all at once,’ said
the Skin Horse.
…‘You become.’”
By
William McDonald, PhD. Excerpt from "(Mc)Donald's Daily Diary" Vol. 48. Copyright pending
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