BORN IN CHINA

**After reading this transcript I don't believe you will ever think of predator animals quite the same again

Call me ‘sensitive,’ but as a rule I just can’t watch those “Crocodile eats zebra as it swims across an African stream” kind of film productions. However, in the scheme of things “Born in China” goes relatively light on gruesome scenes such as the foregoing description would indicate.

Nonetheless, it doesn’t “pull any punches,” and there are a few scenes in which, for instance, a snow leopard grasps a young calf by the neck, or is seen dragging a newly killed mountain goat back to its den. Speaking of snow leopards, there are only 6,000 of these magnificent felines still in existence, and they are being trophy hunted to the tune of one kill per day.

“Born in China” is a magnificent, full-color production, and spins the true tales of several species of wild animals, including pandas, monkeys, mountain goats, and of course, snow leopards; which live in the highlands of China. I never realized such compassion for a predator species ‘til I watched this documentary.

Under Dawa's nurturing, her cubs are growing into two impressive young cats. And she's just had a successful hunt which comes none too soon. Her cubs are now fully weaned and hungry for some fresh meat. They've been watching and learning the ways of the great hunter, their morn, (but are not yet prepared to hunt on their own).

Suddenly across the valley, the intruder has returned.

(The ‘intruder’ refers to another female snow leopard who vies for the choice animal-rich territory which Dawa calls ‘home’).

This time, she has returned with her three nearly grown sons. Scarcity of prey has brought them into Dawa's territory, and they are more than prepared to take all that is hers. Dawa's old rival is much more emboldened now that she has reinforcements.

Her powerful foe, and Dawa both know the latter of the two would never survive a fight against all four of her competitors.

However, Dawa can't bring herself to abandon this precious food. Her cubs must eat, and when it comes to their survival, Dawa would fight almost any foe. The trade-off between life and death is sometimes a very difficult calculation. But then the other leopards move in. (Dawa watches from a distance, and reluctantly decides to “turn tail and run”).

Outnumbered and out-fanged, Dawa retreats to guard her cubs. Not satisfied with merely stealing Dawa's kill, the interlopers now pursue her to let her know, they're here to stay. To save her young, Dawa must lead them out of the area. She has experienced overwhelming humiliation. The proud snow leopard and her cubs have been expelled from their own home.

As the temperatures begin to plummet, the once mighty Queen of the Mountain hasn't made a kill in over a week. Now, she's forced to share her unfamiliar new territory with her more successful rivals. She must survey the area constantly to get the lay of the land and reestablish her dominion with scent markings. But now she's been spotted by a male snow leopard. She defends her ground bravely, but is forced to retreat back to her cubs. Suddenly, those playful days of summer are a fading memory.

Dawa's hunting successes have been few and far between. But a flock of sheep, seeking shelter from the weather, have just moved within range. However, now the unexpected occurs. The snow has concealed jagged rocks, and as Dawa leaps from ledge to ledge in pursuit of a choice lamb, she injures her paw. Dawa knows if she and her cubs are to survive, she must be in top physical condition. The ‘hunt’ demands it.

Back up on the high plateau the winter snow lingers well into spring, and Dawa is still fighting to provide for her cubs. The injury to her foot has greatly hampered her hunting ability, and she no longer has the speed to chase down prey, as nimble as these wild sheep.

However, an opportunity now arises. In springtime, domesticated yaks are released to graze in the higher elevations. These beasts are ten times as heavy as Dawa, and one blow from their powerful horns could be fatal. Going up against a whole herd is like attacking an army. Yet, her cubs are relying on her. It's now or never.

The limping Dawa pours on her limited speed, and sinks her fangs into the neck of a newborn yak. The calf's mother rallies to save her baby. But Dawa refuses to let go. She understands this is her last chance. However, a yak mother's will to protect her young is just as strong as Dawa's.

The yak strikes Dawa hard with her horns. The desperate feline is injured badly. One mother's brave rescue of her baby is another's tragic failure to feed her own. Dawa stumbles away from “the scene of the crime,” and her last opportunity to save herself and her young cubs from certain death.

(As the documentary reaches its conclusion, a momentary glimpse of the dead Dawa comes into view. Snow is falling hard around her, and we can only surmise that her cubs have also succumbed to hunger and the elements, and lie somewhere nearby.

One can only imagine the waning emotions which filled up Dawa’s dying frame. The pride of having, "push come to shove" stood up to a larger foe, the inherent satisfaction with having given her last full measure of devotion, the inestimable sadness of her best not having been good enough; the overwhelming grief which came with her inability to save her children from the same fate as her own. A string of ‘bad luck.’ The survival of the fittest. Providence has once again won out).

In Chinese mythology, when a life ends, a crane carries that soul to rejoin the cycle of birth and rebirth. From the end to the beginning. Time pushes this cycle ever forward. The young become adults. The adults grow old. Death is not the end. It is merely a waypoint in a circle that continues endlessly.

Every creature plays its part in this great cyclical symphony. Each life lived is just one beat in the larger beautiful rhythm. This vast land breeds both love and hardship. But in the hardship, there is hope. This is where they live. This is where they die. This is where they grow. This is where they are born.

from the script of “Born in China”, a documentary with editing and additional language by William McDonald, PhD