Sunday, July 26, 2015

The Sobs and Cheers Are Muted Now


History is full of strange coincidences, and the Civil War is no exception. In the 1950s, Stefan Lorant was researching a book on Abraham Lincoln when he came across an image of the President’s funeral procession as it moved down Broadway in New York City. The photo was dated April 25, 1865.

At first it appeared like one of any number of photographs of Lincoln’s funeral procession, until he identified the house on the corner as that of Cornelius van Schaack Roosevelt; the grandfather of future President Teddy Roosevelt and his brother Elliot.

The coincidence might have ended there, but Lorant took a closer look. In the second story window of the Roosevelt mansion he noticed the heads of two boys are peering out onto Lincoln’s funeral procession.

Lorant had the rare opportunity to ask Teddy Roosevelt’s wife about the image, and when she saw it, she confirmed what he had suspected. The faces in the window were those of a young future President and his brother. “Yes, I think that is my husband, and next to him his brother.”

Just one of numerous examples of people coming together, the rich, the famous, or simply commoners to mourn, acknowledge or celebrate one happening or another.

The crowds that greeted “Lucky Lindy” as he brought his weary aircraft down at Le Bourget Aerodrome.

The masses which gathered in London’s Trafalgar Square to celebrate VE Day, and the multiplied thousands who congregated in New York’s Times Square to celebrate VJ Day; finally bringing WWII to a close.

The festive tickertape parade which welcome General Douglas MacArthur back from Korea; after having been sacked by President Truman.

The live, virtual audience of literally billions, (of whom I was one) who watched Neil Armstrong climb down the ladder, and take his first tentative step upon the surface of the moon.

I have often mused about the aftermath of such events as these, and the crowds which came together to celebrate the end of a war or a military career, or those historic, watershed accomplishments; (which when, subsequently, repeated would gradually be considered nominal and mundane).

We view the photographs. We watch the films. We look into their vibrant eyes, we note their smiling lips, we hear their muted sobs or raucous cheers.

But the assembled throng, (including a future president) which, unwittingly, posed for Lincoln’s funeral procession on one of the most celebrated avenues of this dear country

…are all gone now. Every single one of them. Gone. Only we, their descendants, remain.

And how many who greeted Mr. Lindbergh at Le Bourget in 1927 are still with us? Were we to invite those waving, cheering masses, who lined the streets of London and New York in 1945, or who celebrated MacArthur’s return, to recreate their pilgrimage, how many would appear? Paradoxically, would a reunion photo be more poignant for the lack of people, and the empty streets which they once filled up? What fraction of the billion who starred wide-eyed into their black and white television sets in July, 1969, as Colonel Armstrong left his dusty footprints on the lunar surface, still live, and breathe and move among us?

Scripture assures us that “It is appointed unto man once to die…” (Hebrews 9:27) We simply cannot stay here. It is crucial that we work out whatever calling, that we use whatever talent, that we complete any goal which God has instilled within us; while there is still time to do so.

I have often reflected on one particular scene in the movie, “Dead Poet’s Society;” (a good movie and an extraordinary scene).

“Mr. Keating,” (portrayed by Robin Williams) a teacher at a private boy’s school, leads his boys down the stairs from the classroom, and into the lobby of the institution.

The young professor walks towards a couple of trophy cases, and instructs his pupils to gather about him.

“Now I would like you to step forward over here and peruse some of the faces from the past. You've walked past them many times. I don't think you've really looked at them. They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you. Their eyes are full of hope, just like you.”

Mr. Keating’s boys are “all ears” by this point in his monologue. They know something of some value is coming.

And with the assurance of someone wiser than his years, the teacher continues.

“Did these young men in the photographs wait until it was too late to make from their lives even one iota of what they were capable? Because you see gentlemen, these boys are now fertilizing daffodils. But if you listen closely, you can hear them whisper their legacy to you. Go on, lean in. Listen. Do you hear it? (whispering in a gruff voice) Carpe. Hear it? (whispering) Carpe. Carpe Diem.

…Seize the day boys. Make your lives extraordinary.”

And I think we have the privilege, opportunity and obligation to do this.

…To make our own lives extraordinary.

To discover the best within us. To find out that one thing which separates us from the rest. To develop that talent, that gift, that interest, which almost begs for a forum; to a razor’s edge. To, as Mr. Keating admonishes us, make our lives extraordinary. And I think we have the innate wherewithal to do this.

… (Though I think too few tend to do so).

The sobs and the cheers of those long lost crowds are muted now; and cannot be revisited. The season has passed. The crowds and throngs have long past lived out their lives and gone on to their reward. It is left for us, the living, to complete the task which God has instilled within our hearts

It is left to us to take time to listen, and to go about fulfilling whatever plans God has designed for us, as individuals, to complete.

In the words of Mr. Keating,

“Go on, lean in. Listen. Do you hear it?

Carpe. Carpe Diem.

Seize the day boys and girls. Make your lives extraordinary.”

…While there is still time.

 By William McDonald, PhD. Excerpt from "(Mc)Donald's Daily Diary," Vol. 4

 

 

No comments:

Post a Comment