My roots are embedded deeply in the Methodist Church.
My family and I attended what by now is a well over hundred year
old church in the county seat of Bartow. The original building still stands and
faces (where else but) Broadway. The architecture is rather non-descript, and
not so very different from other churches of that era on the outside, except
for a large, stained glass window in the second story which faces the afore
mentioned street. Even as a teenager, that multi-colored window, based on Ralph
Stuckney’s painting, just drew me in. Christ in the Garden of Gethsemane
supplicating before the invisible throne of His Father. (The latter of the two
variables, as I have implied, remains invisible, but seems almost as tangible
as the first). When I attended First Methodist Church, the city boasted 32
other churches, but from my way of thinking, not one of them offered a more
compelling, almost alluring architectural feature than this one. I think I must
have almost studied it as I prepared to walk into the vestibule of the
sanctuary each Sunday, and no doubt I may have cast a glance over my shoulder
on the way out. I just plain loved that picture which this colorful window
portrayed.
And I will always remember the heavy wood tones of the
sanctuary, and the heavy oaken pews. Like many churches as ancient as this one,
two massive chairs sat on the stage, one on the left and one on the right.
Though the pastor “owned” the one to my left, and the music director often
filled the one on the right, I think it was easy to believe it belonged to
Jesus, and ought to have been left vacant. (Perhaps this childhood fascination
with those ornate old wooden chairs contributed to my having purchased a
somewhat similar one at a second hand store; something from the 19th
Century, arms and back and seat clothed in red velvet, and ornate flowered
inlays copiously set into its massive wooden structure).
And the windows, those tall, but not so wide stained glass
windows which “ran” both the left and right sides of the sanctuary. While these
stationary, and “not designed to be opened” curiosities seemed as non-descript
as the building on the outside, they were nothing short of glorious on the
inside. Harps and angels and flowers and such things, with red and gold and
green accents, whose light seemed almost luminescent and self-contained, and
inspired nothing less than abject wonder in me.
And the music. That almost unearthly music. That which I refer
to today as, “the High and Mighty Music of the Church.” The hymns of Charles
Wesley and Martin Luther, and John Newton, and other such 17th and
18th Century poets, (and those who came after them who emulated
their style).
“Crown Him With Many Crowns”
“And Can It Be?”
“Amazing Grace”
“Great Is Thy Faithfulness”
Though I cannot recall ever having heard the Gospel message
preached here, (but rather a social gospel which admonished us to be kind to
our neighbors, give to the poor, forgive those who have wronged us, etc.), and
though I don’t believe I ever heard a “call to faith” or invitation to “come
down to the altar,” I think I was developing an immature, though progressive
attachment to the things of God, and which would discover fruition at some
future date uncertain.
I attended Methodist Youth Group in the church annex; which was
attached to the sanctuary on one side of a breezeway. A side door led down two flights of steps and
into a basement; something fairly rare for Florida. (Sadly, the annex is in bad
disrepair now, and might cost an estimated $1,000,000 to restore. “The jury is
still out” in this regard, and to my knowledge, a decision hasn’t been made
whether to salvage that old building, or tear it down.) But like my experiences
in the sanctuary, I recall youth ministry as more of an opportunity to
socialize, than anything more substantial. To be fair, there may have been a spiritual
emphasis, perhaps a short devotion, but if so, I have long since forgotten.
M.Y.F. began each week with a buffet dinner, and I for one thought it was, (in
the language of the astronauts) “A-Okay.” Afterwards we played board and box
games.
One year, it may have been ’65 or ’66, our church hired a
Scottish couple to be our youth ministers, as the result of an exchange program
with the Presbyterian Church in Edinburgh. Along with their luggage, Alex and
Marjorie Cairns brought their brogue accent with them, and it was, as they say,
charming. (Both of my father’s parents, the McDonald’s and Cone’s, were of
Scottish descent, and I have always LOVED that accent, above all others. I was
especially fascinated to discover my great great great Grandmother, Mary
Stewart Cone, lived on the Isle of Skye, Scotland).
I think the first time I met the Cairns was at a church picnic.
The pastor was busy introducing them to several couples, the Flanagan’s, and
McConnell’s, and of course, the McDonald’s. Marjorie quipped, “With names like
that, it sounds like we’re back in Scotland.”
The youth of our church grew attached to this precious couple,
and I especially recall one particular outing in which Marjorie served scones.
Now that was novel. What I saw that day was a sort of foreshadowing, for me at
least, since for whatever reason I happened to see Alex without a shirt, and
there was a significant scar on his chest, as if he’d undergone heart surgery.
In recent years I learned that Alex and Marjorie had divorced,
and that Alex subsequently passed away. Very sad, indeed. I had learned to love
them.
During the course of three successive years I attended Methodist
Youth Camp in Leesburg. As our bus approached the camp entrance, the first
thing I noticed was a banner hung above the road with the motto of that year’s
camp.
They were terrific slogans:
“Christ Life. Our Code”
“Christ Above All”
“Speak Up For Your Faith”
Unfortunately, I was altogether unaware of Christ’ life, I was
untrained in the doctrine surrounding His Lordship, and I possessed no faith to
speak up for.
Again, I cannot guarantee that there was not a more overt
exposure to the Gospel at my local church, but the foregoing memoir is my own
personal recollection. But in spite of anything I have written which could, in some ways, leave a negative
connotation of my early church, I am grateful for my spiritual preparation, and
my mother’s determination and faithfulness to expose us to the things of God. I
think, more so than anything else, the awe-inspiring music drew me in, “would
not let me go,” and prepared me for God’s next step on His providential agenda.
By William McDonald, PhD. (Mc)Donald's Daily Diary. Vol. 17. Copyright pending
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***********
If you would like to see the titles and access hundreds of my blogs from 2015, do the following:
Click on 2015 in the index to the right of this blog. When my December 31st blog, "The Shot Must Choose You" appears, click on the title. All my 2015 blog titles will come up in the index
NOTE: **If you are viewing this blog with a Google server/subscription, you may note numerous underlined words in blue. I have no control over this "malady." If you click on the underlined words, you will be redirected to an advertisement sponsored by Google. I would suggest you avoid doing so.
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